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The way Raphael composed the painting creates a sense of intimacy between Mary and Christ, with John the Baptist as witness. The positions of Mary and Christ, and to a lesser extent John the Baptist, serve as a prefiguration of the Passion and eventual death of Christ. [5] The book Mary hold tells of these eventual events.
It depicts Mary embracing the Christ child while sitting in a chair as the young John the Baptist devoutly watches. The Madonna della Sedia is one of the single most important of Raphael's Madonnas. The painting also showcases Raphael's use of the tondo form and his naturalistic approach to depicting the Madonna. [2]
Saint Anthony of Padua (Raphael) [Wikidata] Dulwich Picture Gallery, United Kingdom: Oil on panel 25 x 16 c. 1502: Portrait of a Man: Galleria Borghese, Rome, Italy: Oil on panel 45 x 31 c. 1502: Madonna and Child between Saints Jerome and Francis [Wikidata] Gemäldegalerie, Berlin, Germany: Oil on panel 34 x 29 c. 1502: Solly Madonna
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside. It has been dated to around 1504–1505, [1] the middle of the High Renaissance.
Raphael was hailed as an artist who painted the most complete images. [6] The Painting. Canigiani Holy Family is an oil painting on a wood panel. The painting shows the Holy Family, consisting of Jesus Christ as a baby, the Virgin Mary, and Saint Joseph. The painting focuses on the baby Jesus, with the older figures looking on.
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
The painting was executed by twenty-three-year-old Raphael within months of his 1504–1505 arrival in Florence. [1] [2] The scene represents the figures of the Virgin Mary, the infant Jesus, and an infant John the Baptist shown in a calm grassy meadow, in a pyramidal arrangement linked by their gazes. Mary is wearing a gold-bordered blue ...
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