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The Greatest Video Game Music, performed by the London Philharmonic Orchestra, features classical orchestrations of video game themes including those from Super Mario Bros., Call of Duty, Metal Gear Solid, Final Fantasy, Halo, World of Warcraft, Angry Birds and many more. [1] A sequel, The Greatest Video Game Music 2, was released a year later.
The participants of Symphonic Fantasies after the performance of the concert in 2009. The Symphonic Game Music Concerts (shortened to: Game Concerts) are a series of award-winning orchestral video game music concerts first performed in 2003 at the Gewandhaus in Leipzig, Germany, notable for being the longest running and the first of their kind outside Japan.
All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.
While piano-vocal scores tend to consist of the vocal lines and a piano reduction of the whole orchestra onto two staves, piano-conductor scores tend to consist of the vocal lines and one of the orchestral piano parts that already exists, coupled with another staff containing the rest of the orchestral reduction (in contrast to a piano-vocal score, where the piano and other orchestral parts ...
From the deep, quickening heartbeat of “Jaws” to the astral opening blast of “Star Wars,” the music of John Williams not only earns its place among the most iconic film scores of all time ...
Composer Gustavo Santaolalla talks about taking on the 1931 classic 'Dracula' score. The Oscar winner takes the United Theater on Broadway stage with the L.A. Opera orchestra.
One lovely example of its sonorities comes near the beginning." [18] Mozart Piano Concerto K482 first movement bars 1-12 Mozart Piano Concerto K482 first movement bars 1-6. The orchestral tutti in the first two bars is answered by just horns and bassoon in bars 2–6. This passage repeats with fresh orchestration: