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Holograph manuscript of Gray's "Stanzas Wrote in a Country Church-Yard". The poem most likely originated in the poetry that Gray composed in 1742. William Mason, in Memoirs, discussed his friend Gray and the origins of Elegy: "I am inclined to believe that the Elegy in a Country Church-yard was begun, if not concluded, at this time [August 1742] also: Though I am aware that as it stands at ...
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
There were two other accompanying poems, the "Elegy to the Memory of an Unfortunate Lady" and the original version of the "Ode on St Cecilia's Day". Such was the poem's popularity that it was reissued in 1720 along with the retitled "Verses to the memory of an unfortunate lady'" and several other elegiac poems by different authors. [1]
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
/ Still showed a quickness," but Dryden finds comfort in the fact that "maturing time / But mellows what we write to the dull sweets of rhyme." The poem is concluded with an echo of "the famous words that conclude Catullus's elegy to his brother: 'Atque in perpetuum, frater, ave atque vale' (And forever, brother, hail and farewell!)."
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
Indeed, Gray's poem follows the style of the mid-century literary endeavour to write of "universal feelings." [29] Samuel Johnson also said of Gray that he spoke in "two languages". He spoke in the language of "public" and "private" and according to Johnson, he should have spoken more in his private language as he did in his "Elegy" poem. [30]