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Some 16th-century English Protestants, such as John Bale and John Foxe, argued that Dante was a proto-Protestant because of his opposition to the pope. [ 72 ] [ 73 ] The 19th century saw a "Dante revival", a product of the medieval revival , which was itself an important aspect of Romanticism . [ 74 ]
De vulgari eloquentia (Ecclesiastical Latin: [de vulˈɡari eloˈkwentsi.a], Italian: [de vulˈɡaːri eloˈkwɛntsja]; "On eloquence in the vernacular") is the title of a Latin essay by Dante Alighieri. Although meant to consist of four books, it abruptly terminates in the middle of the second book.
Dante's depiction of Limbo is influenced by contemporary scholastic teachings on two kinds of Limbo—the Limbo of Infants for the unbaptised and the Limbo of the Patriarchs for the virtuous Jews of the Old Testament; the addition of Islamic, Greek, and Roman historical figures to the poem is an invention of Dante's, which has received ...
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
Convivio (Italian pronunciation: [koɱˈviːvjo];) ("The Banquet") [2] is an unfinished work written by Dante Alighieri roughly between 1304 and 1307. It consists of four books, or, " tratatti": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Dante is depicted (bottom, centre) in Andrea di Bonaiuto's 1365 fresco Church Militant and Triumphant in the Santa Maria Novella church, Florence. In 1373, a little more than half a century after Dante's death, the Florentine authorities softened their attitude to him and decided to establish a department for the study of the Divine Comedy.
Dante wanted to demonstrate that the Holy Roman emperor and the pope were both human and that both derived their power and authority directly from God. To understand this, it is necessary to think that man is the only thing to occupy an intermediate position between corruptibility and incorruptibility.