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Vivid blue. B: Normalized to [0–255] (byte) Greek blue, Santorini. Byzantine blue is a color ranging from light celestial blue or lazuli to dark Egyptian blue.
Blue in culture. Goblet from Mesopotamia, 1500–1300 BC glazed with Egyptian blue. This was the first synthetic blue, first made in about 2500 BC. The color blue has been important in culture, politics, art and fashion since ancient times. Blue was used in ancient Egypt for jewelry and ornament. [ 1] In the Renaissance, blue pigments were ...
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
One of the most important forms of Byzantine art was, and still is, the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first signiand the National ...
Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The Byzantine Greeks were the Greek-speaking Eastern Romans throughout Late Antiquity and the Middle Ages. [1] They were the main inhabitants of the lands of the Byzantine Empire (Eastern Roman Empire), of Constantinople and Asia Minor (modern Turkey), the Greek islands, Cyprus, and portions of the southern Balkans, and formed large minorities, or pluralities, in the coastal urban centres of ...
Byzantine enamel. The craft of cloisonné enameling is a metal and glass-working tradition practiced in the Byzantine Empire from the 6th to the 12th century AD. The Byzantines perfected an intricate form of vitreous enameling, allowing the illustration of small, detailed, iconographic portraits.
Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period. The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique.
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