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2. KPOP (musical) - Wikipedia

   en.wikipedia.org/wiki/KPOP_(musical)

   The show is framed as a camera rehearsal for South Korean music agency RBY Entertainment’s New York debut of its stars, at Circle in the Square Theatre on Broadway. RBY’s founder and chief executive, a former K-pop singer named Ruby, discusses logistics with the director Harry as she rehearses the introduction.

3. American Buffalo (play) - Wikipedia

   en.wikipedia.org/wiki/American_Buffalo_(play)

   Critic Frank Rich, in reviewing the 1983 production for The New York Times, called it "one of the best American plays of the last decade." [19] Rich had previously reviewed the 1981 Off-Broadway production, calling

4. Joan Rivers - Wikipedia

   en.wikipedia.org/wiki/Joan_Rivers

   Joan Alexandra Molinsky was born on June 8, 1933, in Brooklyn, New York, [11] [12] [13] to Jewish Russian immigrants Beatrice (née Grushman) and Meyer C. Molinsky, a doctor. [13] [14] She had an elder sister named Barbara Waxler.

5. After Midnight (musical) - Wikipedia

   en.wikipedia.org/wiki/After_Midnight_(musical)

   After Midnight is the Broadway production of Cotton Club Parade that premiered Off-Broadway at New York City Center's Encores! concert series in November 2011, starring Amber P. Riley in 2012 as the Special Guest Star and directed and choreographed by Warren Carlyle with music direction by Jazz at Lincoln Center artistic director Wynton Marsalis. [1]

6. New World Stages - Wikipedia

   en.wikipedia.org/wiki/New_World_Stages

   In addition to new Off-Broadway productions, New World Stages has become a home to shows that were previously on Broadway, including Avenue Q, The 39 Steps, Million Dollar Quartet, Peter and the Starcatcher, Jersey Boys, and The Play That Goes Wrong. This producing tactic has been utilized to encourage the extension of a show's commercial run.

7. Off-off-Broadway - Wikipedia

   en.wikipedia.org/wiki/Off-off-Broadway

   Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. [ 1 ]