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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
An ancient oak stands at the centre of the painting, clearly damaged but still standing. The tree's branches, dark in silhouette, project into the largely overcast morning sky. Banks of cloud seem to form a dome above the tree. The crown of the tree is dead, and the top of its trunk and two truncated branches resemble a cross.
A traditional silhouette portrait of the late 18th century. A silhouette ( English: / ˌsɪluˈɛt /, [ 1] French: [silwɛt]) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Coarse woody debris ( CWD) or coarse woody habitat ( CWH) refers to fallen dead trees and the remains of large branches on the ground in forests [ 1] and in rivers or wetlands. [ 2] A dead standing tree – known as a snag – provides many of the same functions as coarse woody debris. The minimum size required for woody debris to be defined as ...
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In computer animation, a T-pose is a default posing for a humanoid 3D model 's skeleton before it is animated. [ 1] It is called so because of its shape: the straight legs and arms of a humanoid model combine to form a capital letter T. When the arms are angled downwards, the pose is sometimes referred to as an A-pose instead.
This behavior is also seen in storing food from other animals by hiding food behind bark or deep in cracks of a tree. [19] According to studies from Williams (1975), [20] Breitwisch (1977), [21] and Williams and Batzil (1979), [22] the red-bellied woodpecker spent 20% to 69% of its time foraging on dead or decaying trees.
Isle of the Dead: Fifth version, 1886. Isle of the Dead ( German: Die Toteninsel) is the best-known painting of Swiss Symbolist artist Arnold Böcklin (1827–1901). Prints were very popular in central Europe in the early 20th century— Vladimir Nabokov observed in his 1936 novel Despair that they could be "found in every Berlin home".