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Transition from metal type. Between 1957 and 1962, the printing technologies of hot metal typesetting and phototypesetting were introduced by major publishers. Thai Watana Panich (TWP) adopted the Monotype system, and partnered with the Monotype Corporation to develop Thai Monotype typefaces for its use.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
[64] [65] These designs may have bracketed serifs that increase width along their length. Because of the clear, bold nature of the large serifs, slab serif designs are often used for posters and in small print. Many monospace fonts, on which all characters occupy the same amount of horizontal space as in a typewriter, are slab-serif designs ...
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Metrically compatible with. Carlito. Calibri ( / kəˈliːbri /) is a digital sans-serif typeface family in the humanist or modern style. It was designed by Luc (as) de Groot in 2002–2004 and released to the general public in 2007, with Microsoft Office 2007 and Windows Vista. [ 3] In Office 2007, it replaced Times New Roman as the default ...
A digital font's design space in digital type is called the em, which is a grid with arbitrary resolution. Scaling the em to a particular point size is how imaging systems—whether for screen or print—work. In digital type, the relationship of the height of particular letters to the em is arbitrarily set by the typeface designer.
In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters. Following the advent of desktop publishing in the 1980s ...
Bodoni ( / bəˈdoʊni /, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [ 1][ 2] Bodoni's typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville, as found in the printing type ...
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