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Location. Museum of Modern Art, New York. Cat and Bird is a painting by Swiss German painter Paul Klee, created in 1928. It was made when Klee was a teacher at the Bauhaus Dessau. The painting depicts the wide face of a stylized cat with a small bird perched on its forehead. It is held in the Museum of Modern Art, in New York.
Millions of Cats at Wikisource. Millions of Cats is a children's picture book written and illustrated by Wanda Gág in 1928. The book won a Newbery Honor award in 1929, one of the few picture books to do so. Millions of Cats is the oldest American picture book still in print. [1] It entered the public domain in the United States in 2024.
Wanda Gág. Wanda Hazel Gág (/ ˈɡɑːɡ / GAHG; March 11, 1893 – June 27, 1946) was an American artist, author, translator, and illustrator. She is best known for writing and illustrating the children's book Millions of Cats, the oldest American picture book still in print. [1] Gág was also a noted print-maker, receiving international ...
Pet. A pet, or companion animal, is an animal kept primarily for a person's company or entertainment rather than as a working animal, livestock, or a laboratory animal. Popular pets are often considered to have attractive/ cute appearances, intelligence, and relatable personalities, but some pets may be taken in on an altruistic basis (such as ...
Eighteenth century folk art, Cat of Kazan. Unlike in Western countries, cats have been considered good luck in Russia for centuries. Owning a cat, and especially letting one into a new house before the humans move in, is said to bring good fortune. [18] Cats in Orthodox Christianity are the only animals that are allowed to enter the temples.
6, including Alfred and Alice. Father. Joseph August Knip. Ronner-Knip's signature. Henriëtte Ronner-Knip (Dutch pronunciation: [ɦɑ̃ːriˈjɛtə ˈrɔnər ˈknɪp]; 31 May 1821 – 28 February 1909) was a Dutch-Belgian artist chiefly in the Romantic style who is best known for her animal paintings; especially cats.
21. 1909–1910 – The Park (oil on canvas, 110.5 cm × 110.5 cm) One of Klimt's paintings closer to abstraction, but not quite embracing it in full. The multiplicity of colours and reedy forms of vegetation infuse a sense of vivaciousness that connects with Nature's life cycle.
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