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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Although Guan began his career as an oil painter, he later focussed on traditional Chinese ink wash painting featuring characters from Peking operas. He is considered the first artist to introduce Western painting techniques to traditional ink wash painting and is known for his unique portrayal of Peking opera figures. [2]
The innovations include: development of new brushing skill such as vertical direction splash water and ink, with representative artist Tiancheng Xie, [citation needed] creation of new style by integration traditional Chinese and Western painting techniques such as Heaven Style painting, with representative artist Shaoqiang Chen, [21] and new ...
During the 1970s, Wu changed his style based on what others were doing at the time. He started painting with oil and watercolor in a Western style until he returned to Beijing and saw other artists using watercolor in the traditional Chinese style. In 1975 a Chinese art association in Japan wanted some traditional Chinese ink paintings to exhibit.
The classic East Asian tradition of ink wash painting uses black ink in various levels of dilution. Historically associated with the four arts of the scholar-officials , the technique was often applied to landscapes in traditional Chinese , Japanese , and Korean painting .
The Tang dynasty saw the maturity of the landscape painting tradition known as shanshui (mountain-water) painting, which became the most prestigious type of Chinese painting, especially when practiced by amateur scholar-official or "literati" painters in ink-wash painting. In these landscapes, usually monochromatic and sparse, the purpose was ...
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