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The Last Supper measures 460 cm × 880 cm (180 in × 350 in) and covers an end wall of the dining hall at the monastery of Santa Maria delle Grazie in Milan, Italy. . The theme was a traditional one for refectories, although the room was not a refectory at the time that Leonardo painted
Results of the Allied raid in 1943. During World War II, on the night of 15 August 1943, an allied aerial bombardment hit the church and the convent. Much of the refectory was destroyed, but some walls survived, including the one that holds The Last Supper, which had been sand-bagged in order to protect it.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany.
The Mass of the Lord's Supper, also known as A Service of Worship for Maundy Thursday, is a Holy Week service celebrated on the evening of Maundy Thursday. [1] [2] It inaugurates the Easter Triduum, [3] and commemorates the Last Supper of Jesus with his disciples, more explicitly than other celebrations of the Mass.
The Last Supper mosaic (Vienna). Giacomo Raffaelli (February 2, 1753 - October 11, 1836) was an Italian mosaicist from Rome . He is the author of a copy of Leonardo da Vinci 's Last Supper commissioned by Napoleon I . [ 1 ]
The 2024 Paris Olympics officially commenced on July 26 with a star-studded and stunning Opening Ceremony featuring performances by Lady Gaga, Aya Nakamura, and Céline Dion, who made an emotional ...
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)
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