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The technical procedure for sgraffito is relatively simple, resembling the process of painting frescoes. Sgraffito played a significant role during the Italian Renaissance, with two of Raphael's workshops, Polidoro da Caravaggio and his partner Maturino da Firenze, among the leading specialists. They painted palace facades in Rome and other ...
Mosaic border of rinceaux and animals, from the Via Panisperna in Rome, late 2nd - early 1st century BC. In architecture and the decorative arts, a rinceau (plural rinceaux; from the French, derived from old French rain 'branch with foliage') is a decorative form consisting of a continuous wavy stemlike motif from which smaller leafy stems or groups of leaves branch out at more or less regular ...
Piernik ornaments in Poland. Christmas ornaments, baubles, globes, "Christmas bulbs", or "Christmas bubbles" are decoration items, usually to decorate Christmas trees. These decorations may be woven, blown (glass or plastic), molded (ceramic or metal), carved from wood or expanded polystyrene, or made by other techniques. Ornaments are ...
Italian maiolica reached an astonishing degree of perfection in this period. In Romagna, Faenza, which gave its name to faience, produced fine maiolica from the early fifteenth century; it was the only significant city in which the ceramic production industry became a major part of the economy. [19] Bologna produced lead-glazed wares for export.
Though the recipe of tin glazes may differ in different sites and periods, the process of the production of tin glazes is similar. Generally speaking, the first step of the production of tin glazes is to mix tin and lead in order to form oxides, which was then added to a glaze matrix (alkali-silicate glaze, for example) and heated. [19]
Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat.
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