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For example, to play sol on the seventh string, the position the player must stop is between the 7th and 8th hui. The tablature of Ming times would only say "between 7 and 8" 「七八日( 間 )」 or for other positions "below 6" 「六下」 or even say "11" 「十一」 (when the correct position is slightly higher).
Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
To string a qin, one traditionally had to tie a butterfly knot (shengtou jie 『蠅 頭 結/蝇头结』) at one end of the string, and slip the string through the twisted cord (rongkou 『絨 剅/绒扣』) which goes into holes at the head of the qin and then out the bottom through the tuning pegs (zhen 『軫/轸』).
A musician playing a qinqin with python-skin resonator in a Cantonese street band in San Francisco Front and back views of modern Qinqin. The qinqin (秦 琴; pinyin: qínqín; Vietnamese: Đàn sến [1]) is a plucked Chinese lute. It was originally manufactured with a wooden body, a slender fretted neck, and three strings. [2]
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Chen Zhi (simplified Chinese: 陈 志; traditional Chinese: 陳志; pinyin: Chén Zhì) is a Chinese guitar teacher (pedagogue) and promoter, who is today known for the exceptionally high level that his classical guitar students reach. He is one of China's best-known personalities of the guitar in general (not just the classical guitar).
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
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