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This film is based on a true story about events in Belgrade in 1979. Jesen u mojoj ulici [1] Autmn on My Street: Miloš Pušić: Filip Đurić, Nikola Spasojević, Milica Trifunović, Nada Dobanović, Nikola Ilić: Comedy/Youth drama: Besa [1] Solemn Promise: Srđan Karanović: Miki Manojlović, Iva Krajnc, Radivoje Bukvić: Drama/Romance film ...
Montevideo, God Bless You! (Serbian: Монтевидео, Бог те видео!, romanized: Montevideo, Bog te video!; internationally titled Montevideo, Taste of a Dream) is a 2010 Serbian sports comedy film directed by Dragan Bjelogrlić about the events leading to the participation of the Yugoslavia national football team at the first FIFA World Cup in Montevideo, Uruguay in July 1930.
The film was released in FR Yugoslavia (Serbia and Montenegro) in May 1998 where it became a cinema hit with 450,000 admission tickets sold [13] despite its promotional cycle in the country being severely impacted by the government's refusal to run the film's ads on state television RTS (then under general manager Dragoljub Milanović).
Underground was selected as the Serbian entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee. [26] [27] Underground also nominated for Best Foreign Film at the 13th Independent Spirit Awards nearly 3 years after the film won Palme d'Or, but lost to The Sweet Hereafter. [28]
The Parade (Serbian: Парада, Parada) is a 2011 Serbian comedy-drama film, written and directed by Srđan Dragojević and released on 31 October 2011. The film, which deals with LGBT rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. [1]
Clip (Serbian: Клип, romanized: Klip) is a 2012 Serbian drama film written and directed by Maja Miloš, her first time directing, and starring Isidora Simijonović in her first film role. The film's title derives from the many short cell phone videos made by the film's central character, Jasna (Simijonović), a troubled teenager whose ...
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A Serbian Film is also a metaphor for our [Serbian] national cinema—boring, predictable and altogether unintentionally hilarious which to a certain extent is commented on and subtly parodied throughout our film." Similarly, Radivojević dismissed Serbian cinema as "pathetic state-financed films made by people who have no sense or connection ...
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