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Template:Chamber music, Orchestral works and Transcriptions by Johann Sebastian Bach; Template:Church cantatas by Johann Sebastian Bach; Template:Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach; Template:Masses, Magnificat, Passions and Oratorios by Johann Sebastian Bach; Template:Bach motets; Template:Secular cantatas by ...
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
Keyboard Sonatas, Free Fantasies, and Rondos (1787) – Fantasia for keyboard in B-flat major (Wq 61:3) H 290. Keyboard Sonatas, Free Fantasies, and Rondos (1787) – Rondo for keyboard in D minor (Wq 61:4) H 291. Keyboard Sonatas, Free Fantasies, and Rondos (1787) – Fantasia for keyboard in C major (Wq 61:6) H 292. Keyboard Sonatina in G ...
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), [1] BWV 202, [a] is a secular cantata by Johann Sebastian Bach. [2] [3] It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen.
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Bach selected mostly keyboard compositions for publication, which conformed to such contemporary practices, and was instrumental in establishing him as a keyboard composer. His works not only circulated in print: also manuscripts were copied and transmitted. Whether or not a work was selected for print was independent of the quality of the music.
The following is a list of works by P. D. Q. Bach, a fictitious Bach family member, the alter ego of composer Peter Schickele.The first section lists, in alphabetical order, those works which have been recorded, are listed in the annotated catalogue of P. D. Q. Bach music in The Definitive Biography of P.D.Q. Bach, and/or are listed on the Theodore Presser website.