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Cham dance at Leh Palace during the Dosmoche festival, 13 February 2018. The cham dance (Tibetan: འཆམ་, Wylie: ' cham) [2] [3] is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional
Some said that Seungmu came from bubgo dance, a Buddhist ritual dance. But it is known that the dance is a form of art that strayed away from Buddhist halls to secular streets. [1] The dance communicated to the public in a casual manner that was aesthetical. This separated traditional Buddhism from Korean Buddhism.
Specifically, the dance celebrates an incident in Tibetan Buddhist mythology - the victory of the saint Tsangpa Gyare (1161-1211) over a demon which was obstructing a pilgrimage path to Tsari, Tibet at the mouth of a valley. The saint apparently subjugated the demon by performing a dramyin cham and it offered its services to him and became the ...
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Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.
The fact that the text is a compilation is initially evident from the mixture of prose and verse that, in some cases, contains strata from the very earliest Buddhist teachings and, in other cases, presents later Buddhist themes that do not emerge until the first centuries of the common era.
"The Dragon Girl and the Abbess of Mo-Shan: Gender and Status in the Ch'an Buddhist Tradition". Journal of the International Association of Buddhist Studies. 5 (1): 19– 36. Levering, Miriam L. (2013). "The Dragon Daughter". In Vanessa R. Sasson (ed.). Little Buddhas : Children and Childhoods in Buddhist Texts and Traditions. Oxford University ...
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