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The Violin Concerto No. 2 in B minor, Op. 7, was composed by Niccolò Paganini in Italy in 1826. [1] The third movement owes its nickname "La Campanella" or "La Clochette" to the little bell which Paganini uses to presage each recurrence of the rondo theme.
"La campanella" is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140.Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced by a "little handbell."
An excellent and beautiful performance, and we lack any Liszt compositions, despite having a few excellent recordings. Nominate and support. Adam Cuerden 06:37, 24 February 2011 (UTC) []
Franz Liszt – Six Grandes Études de Paganini, S. 141 for solo piano (1851) (virtuoso arrangements of 5 caprices, including the 24th, and La Campanella from Violin Concerto No. 2) Yngwie Malmsteen – Paganini's Violin Concerto No. 4 is used in the opening of "Far Beyond the Sun" in Trial by Fire.
A violin concerto is a concerto for solo violin ... La Campanella (1826) Violin Concerto No. 3 in E major, MS 50 (ca. 1826–30) Violin Concerto No. 4 in D minor, ...
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
Violin Concerto No.2 in B minor, Op.7 “La Campanella” (Cadenza: Ivry Gitlis) Stuttgart Radio Symphonieorkester / Stanislaw Skrowaczewski: 13.VI.1972, Stuttgart: 2CD+DVD Doremi DHR-7981-3 (p)2010: A: 2CD SWR MUSIC SWR19005CD (p)2016 Haubenstock-Ramati, Roman “Sequences” für Violine und Orchester (1958) SWR Sinfonieorchester Freiburg ...
"Grande Fantaisie de Bravoure sur La Clochette de Paganini [Large Bravura Fantasy on Paganini's La Campanella], Op. 2 (1832)", pp. 1–30. Etudes d'Exécution Transcendante d'après Paganini [Etudes for Transcendental Technique after Paganini] (1838) (dedicated to Clara Schumann), pp. 31–90.
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