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2. Rewritable consumer timecode - Wikipedia

   en.wikipedia.org/wiki/Rewritable_consumer_timecode

   The RC timecode tags each frame with the hour, minute, second and frame for each frame of video recorded to tape. Officially, RCTC is accurate to within ±2 to 5 frames. [2] The RC timecode can be used in conjunction with the datacode to record the date and the time. The data and RC codes are written between the video and the PCM audio tracks.

3. Pilottone - Wikipedia

   en.wikipedia.org/wiki/Pilottone

   The hour:minute:second:frame readout that timecode provides allows the film transferred to tape or digital, or video precise matching of picture and sound. The only "problem" with timecode is that it is a machine-read system so picture and sound must be transferred to an editing system (such as DaVinci Resolve or Adobe Premiere) to be synched ...

4. Double-system recording - Wikipedia

   en.wikipedia.org/wiki/Double-system_recording

   When the apparatus recording sound and image are the same, as in a video tape recorder, sound is recorded directly onto the picture medium, and this procedure is called 'single-system recording'. On feature films that are photographed on high-definition video, audio is often recorded on the video recorder and also on secondary recorder.

5. SMPTE timecode - Wikipedia

   en.wikipedia.org/wiki/SMPTE_timecode

   Timecode may be attached to a recording medium in a number of different ways. Linear timecode, a.k.a. longitudinal timecode (LTC): suitable to be recorded on an audio channel, or carried by audio wires for distribution within a studio to synchronize recorders and cameras. To read LTC, the recording must be moving, meaning that LTC is useless ...

6. Multitrack recording - Wikipedia

   en.wikipedia.org/wiki/Multitrack_recording

   With the introduction of SMPTE timecode in the early 1970s, engineers began to use computers to perfectly synchronize separate audio and video playback, or multiple audio tape machines. In this system, one track of each machine carried the timecode signal, while the remaining tracks were available for sound recording.

7. Dazzle (video recorder) - Wikipedia

   en.wikipedia.org/wiki/Dazzle_(video_recorder)

   The first Dazzle recorder to support USB was the Digital Video Creator (DVC) 50 and 80 models, first released in March 2001. [8] [9] The DVC 80 was capable of recording both video and audio via RCA and S-video, while the more inexpensive DVC 50 was capable of recording only video. [10]