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The "tongue-in-cheek" song is written from the perspective of someone who has lived a fast, loose life but is now exclaiming that they are "saved". The song is a satire of African-American religious conversion ecstasy. [2] On April 10, 1961, the recording first hit the US Billboard charts. It rose to number 17 on the R&B chart, and reached ...
"Just as I Am" is a Christian hymn, written by Charlotte Elliott in 1835, first appearing in the Christian Remembrancer, of which Elliott became the editor in 1836. The final verse is taken from Elliott's Hours of Sorrow Cheered and Comforted (1836).
"Glory to His Name" (also called "Down At The Cross") is a hymn written by Elisha A. Hoffman in 1878. It is thought that Hoffman was reading about the crucifixion of Jesus in the Bible and began to think about how God saved men from their sins by allowing Jesus to die on the cross. The poem Hoffman wrote based on these thoughts was called ...
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
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New Irish Hymns 3: Review/Analysis: Christ Has Risen: 2005 Kristyn Getty: Songs That Jesus Said — Come, Let Us Sing: 2003 Kristyn Getty: New Irish Hymns 2 — Cross of Jesus: 2003 Kristyn Getty: New Irish Hymns 2 — Every Breath: 2002 Kristyn Getty: Tapestry — Every Promise (Hymn of Response to the Word) 2005 Stuart Townend: New Irish ...
Here I Am, Lord", [1] also known as "I, the Lord of Sea and Sky" after its opening line, is a Christian hymn written by the American composer of Catholic liturgical music Dan Schutte in 1979 and published in 1981. [2] Its words are based on Isaiah 6:8 and 1 Samuel 3:4. It is published by OCP Publications.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
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