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A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1]Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433
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La tempesta di mare ("The Storm at Sea"), a flute concerto in F major (RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which ...
The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart.. Commissioned by the Dutch surgeon and amateur flutist Ferdinand Dejean [Wikidata] (1731–1797) in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, this one being the first. [1]
The work contains a number of Celtic music influences. In the program notes to the score, Rouse commented on the particularly Irish influences, saying:. The first and last movements bear the title 'Amhrán' (Gaelic for 'song') and are simple melodic elaborations for the solo flute over the accompaniment of orchestral strings.
The Flute Concerto in D major, Op. 283, is a composition for solo flute and orchestra by the composer Carl Reinecke. The work was composed in 1908 and was Reinecke's last concerto before his death. It was first performed on 15 March 1909 in Leipzig by the flutist Maximilian Schwedler, to whom the piece is dedicated. [1]
The concerto is cast in four short movements that follow a slow–fast–slow–fast structure reminiscent of the 17th-century Italian sonata da chiesa. [2] Although tonally adventurous, [ 10 ] the work is notable for its melodic simplicity and lack of gratuitous virtuosity, which sets it apart from the Romantic tradition of showy concertos.