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In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [18]
In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.
It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20] Like its predecessors, the Flexi-50 was designed to take the same range of vacuum tubes that the UniValve and BiValve-30 can. However, the Flexi is not self ...
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
Tipton has almost exclusively used Marshall Amplifiers for live performances. Tipton used 50 and 100 watt Marshall heads without a master volume until 1981, when the JCM 800 head was developed. The JCM 800 was used by Tipton and fellow Judas Priest guitarist K.K. Downing for many years.
Pages in category "Marshall amplifiers" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. ...
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