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John 19:26-27 "When Jesus saw his mother and the disciple whom he loved standing nearby, he said to his mother, 'Woman, here is your son.' Then he said to the disciple, 'Here is your mother.'
Jesus held women personally responsible for their own behavior as seen in his dealings with the woman at the well (John 4:16–18), the woman taken in adultery (John 8:10–11), and the sinful woman who anointed his feet (Luke 7:44–50 and the other three gospels). Jesus dealt with each as having the personal freedom and enough self ...
Proverbs 31 is the 31st and final chapter of the Book of Proverbs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] Verses 1 to 9 present the advice which King Lemuel's mother gave to him, about how a just king should reign. The remaining verses detail the attributes of a good wife or an ideal woman (verses 10–31).
The indication that women's choice of jeans or clothing is indicative of consent sparked widespread outrage and protest [7] starting with Italian government officials. The day after the decision, members of the Italian Parliament protested by wearing jeans and holding placards that read "Jeans: An Alibi for Rape", [8] no male members of the Italian Parliament participated. [4]
Good News Bible (GNB), also called the Good News Translation (GNT) in the United States, is an English translation of the Bible by the American Bible Society.It was first published as the New Testament under the name Good News for Modern Man in 1966.
"I Feel Pretty" is a song written by Stephen Sondheim and Leonard Bernstein from the 1957 musical West Side Story. Production
You Pretty Things" is a song by the English singer-songwriter David Bowie from his 1971 album Hunky Dory. It was the first song he wrote for the album. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone , lead singer of Herman's Hermits , who decided to release it as his debut ...
"Wearing the Inside Out" is a song from Pink Floyd's 1994 album, The Division Bell. [1] [2] A collaboration between Richard Wright and Anthony Moore, it is the only song on the album for which David Gilmour receives no writing credit.