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At the core of the instructions was the Angelic Table: a grid of 25x27 squares, each square containing a letter. The Angelic Table is subdivided into four lesser grids for the four elements and the four directions, bound together by the cross-shaped Tablet of Union. They are used to call upon the aid of angels ruling over the four directions.
Parshvanatha Temple, Khajuraho, the southeast corner, with guardians Indra (E) and Agni (SE). The Guardians of the Directions (Sanskrit: दिक्पाल, IAST: Dikpāla) are the deities who rule the specific directions of space according to Hinduism, Jainism and Vajrayāna Buddhism—especially Kālacakra.
Originating in ancient India, Vastu Shastra (Sanskrit: वास्तु शास्त्र, vāstu śāstra – literally "science of architecture" [2]) is a traditional Hindu system of architecture [3] [4] based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. [5]
Gate of Chhatrapati Shivaji Maharaj Vastu Sangrahalaya. In its recent modernisation programme (2008), the museum created 30,000 sq ft (2,800 m 2) space for installation of five new galleries, a conservation studio, a visiting exhibition gallery and a seminar room, in the East Wing of the museum. [1] The museum also houses a library. [1]
The colours associated with the four creatures can be said to match the colours of soil in the corresponding areas of China: the bluish-grey water-logged soils of the east, the reddish iron-rich soils of the south, the whitish saline soils of the western deserts, the black organic-rich soils of the north, and the yellow soils from the central ...
The Aparajitaprccha (lit. "the questions of Aparajit") is a 12th-century Sanskrit text of Bhuvanadeva with major sections on architecture (Vastu Shastra) and arts (Kala). Predominantly a Hindu text, it largely reflects the north and western Indian traditions. The text also includes chapters on Jain architecture and arts.
It includes a discussion of vastu mandalas (chapters 11–15). Others are practical manuals on architecture and construction; for example, house (chapter 37), soil preparation (chapter 8), wood and timber for carpentry (chapter 16), laying bricks (chapter 41) and others. Later chapters (70–83) are dedicated to sculpture and painting. [5] [note 2]
[1] [2] The text is a Vaishnavism text named after the half-human and half-fish avatar of Vishnu. [ 1 ] [ 3 ] However, the text has been called by the 19th-century Sanskrit scholar Horace Hayman Wilson , "although a Shaivism (Shiva-related) work, it is not exclusively so"; the text has also been referred to one that simultaneously praises ...