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The Crucifixion of Saint Peter is a fresco painting by the Italian Renaissance master Michelangelo Buonarroti (c. 1546–1550). It is housed in the Cappella Paolina, Vatican Palace, in the Vatican City, Rome. It is the last fresco executed by Michelangelo. The artist portrayed Saint Peter in the moment in which he was raised by the Roman ...
The Crucifixion of Saint Peter (Italian: Crocifissione di san Pietro) is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the ...
The Cross of Saint Peter, also known as the Petrine Cross, is an inverted Latin cross traditionally used as a Christian symbol, but in recent times, it has also been used as an anti-Christian and Satanic symbol. In Christianity, it is associated with the martyrdom of Saint Peter. The symbol originates from the Catholic tradition that when ...
The Crucifixion of Saint Peter (1601) by Caravaggio. Pope Clement I (d. 99), in his Letter to the Corinthians (Chapter 5), written c. 80–98, speaks of Peter's martyrdom in the following terms: "Let us take the noble examples of our own generation. Through jealousy and envy the greatest and most just pillars of the Church were persecuted, and ...
Cappella Paolina. The Cappella Paolina (the Pauline Chapel) is a chapel in the Apostolic Palace, Vatican City. It is separated from the Sistine Chapel by the Sala Regia. It is not on any of the regular tourist itineraries. Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted ...
The Acts of Peter is one of the earliest of the apocryphal Acts of the Apostles in Christianity, dating to the late 2nd century AD. The majority of the text has survived only in the Latin translation of the Codex Vercellensis, under the title Actus Petri cum Simone ("Act of Peter with Simon"). It is notable for a description of a miracle ...
The south transept contains the altars of Saint Thomas, Saint Joseph and the Crucifixion of Saint Peter. The tomb of Fabio Chigi, Pope Alexander VII, towards the end of the aisle, is the work of Bernini and called by Lees-Milne "one of the greatest tombs of the Baroque Age". It occupies an awkward position, being set in a niche above a doorway ...
The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.