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The first two phrases of the melody from Stephen Foster 's " Oh! Susanna " are based on the major pentatonic scale [ 1 ] A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently ...
Though creating or featuring chromaticism, the bass (if the roots of the chords), and often the melody, are pentatonic. [6] (major pentatonic on C: C, D, E, G, A) Contrastingly, Averill argues that the progression was used because of the potential it offered for chromatic pitch areas. [13]
Anhemitonic scales, equal heptatonic scales, and scales based on the selected use of partials are used in Africa as well. The same community that may use one set of instruments tuned to a certain scale (i.e. pentatonic), can use a different scale for a different set of instruments, or song type (i.e. heptatonic). [2] [3] [4]
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...
Chord-scale system. Heptatonic scale. Jazz scale. List of chord progressions. List of chords. List of musical intervals. List of pitch intervals. Arabian maqam. Modes of limited transposition.
The rising pentatonic figuration seen at the beginning appears here, this time in the tonic C major. The piece ends on a C major chord with an added scale degree 2. The nearly symmetrical ABA form helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend.
Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...