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Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.
The Funeral of the Anarchist Galli (Il Funerale dell’anarchico Galli) is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The ...
Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...
For the "Portrait of the composer Gara Garayev", in 1962, Salahov was awarded the silver medal of the USSR Academy of Arts, and in 1968 - the USSR State Prize. The portrait depicts the composer Gara Garayev sitting, grouped as for a tiger's jump, writes the art critic Ekaterina Degot. He is wearing a turtleneck and something like the Soviet ...
According to the biographer, Arnold Houbraken, he was one of the three grand masters of art named "Karel", or "Carl" (the other two were Karel Dujardin and Karel Marat, usually called Carlo Maratta). [2] He was the son and pupil of Johann Ulrich Loth [1] and was possibly influenced by Giovan Battista Langetti.
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
The Portrait of Girolamo Savonarola is an oil-on-panel painting by the Italian Renaissance artist Fra Bartolomeo, created c. 1498. This portrait is believed to have been made when reformer Girolamo Savonarola was still alive and when Fra Bartolomeo was a follower of his renewal religious movement in Florence.