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Carlo Carrà (Italian: [ˈkarlo karˈra]; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.
Media in category "Paintings by Carlo Carrà" The following 4 files are in this category, out of 4 total. Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera.jpg 765 × 606; 231 KB
The Funeral of the Anarchist Galli (Il Funerale dell’anarchico Galli) is a painting by Italian painter Carlo Carrà. It was finished in 1911, during the artist's futurist phase, and is considered Carrà's most famous piece. The piece depicts the violent funeral of anarchist Angelo Galli, an event Carrà witnessed in his early adulthood. The ...
The Engineer's Lover (Italian: 'L'amante dell'ingegnere) is a painting by Italian painter Carlo Carrà. [1] It was finished during the artists phase of Pittura Metafisica, or "Metaphysical painting," in 1921. [2] It portrays an enigmatic head of a maiden on a brown table, flanked by a green panel with a triangle and a compasses (symbols of ...
Catalog of paintings in the Louvre Museum; Catalogue of paintings in the National Gallery, London; List of painters in the Art Institute of Chicago; List of painters in the Frans Hals Museum; List of painters in the Los Angeles County Museum of Art; List of painters in the National Gallery of Art; List of painters in the Pinakothek
In art history, "Old Master" (or "old master") [1] [2] refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way.
In the 18th century, painting restoration became a separate profession in France. 1735 to 1820, Restoration of paintings in the Spanish royal collections following a 1734 fire. Hundreds of important paintings were methodically treated in a specially constructed studio; materials used have been documented by Zahira Véliz.
The following outline is provided as an overview of and topical guide to the history of painting: . History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall) with a brush, although other implements, such as knives, sponges, and airbrushes, can be used.