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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
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Kusum Sarovar dates back to the era of Radha Krishna. [4] As the name suggests, Kusum Sarovar is a place surrounded by a variety of flowers and Kadamb trees. It is said that Radha would come here under the pretext of collecting flowers for her friends, but would secretly meet with Krishna and have playful conversations. [5]
The work depicts Radha, Krishna, tree, flower, woman, and peacocks. It expresses their love through depiction of flowering trees, birds, and entwining clothing. [3] It is the only known Kota depiction of a scene from Hindu scripture. [4] The story was first told in Bhagavata Purana, although Radha was initially unidentified. "Radha, it was held ...
Radha-Krishna Prem Mandir (Love Temple) in Vrindavan, Uttar Pradesh Radha Rani Temple, Barsana. Radha and Krishna are the focus of temples in the Chaitanya Mahaprabhu, Vallabhacharya, Chandidas, and other traditions of Vaishnavism. [140] Radha is typically shown standing immediately next to Krishna. [140] Some of the important Radha Krishna ...
After he abdicated the throne the couple retired to a comfortable life in Vrindavan, a place associated with the life of Krishna and Radha, to whom Sawant Singh was greatly devoted. A group of Indian paintings of around 1750 attributed to Nihâl Chand from the Marwar school of Kishangarh show Radha Krishna , using the same models, who are ...
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.