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Philadelphia Museum of Art, Foreigners in Japan, Yokohama and Related Woodcuts in the Philadelphia Museum of Art, Philadelphia, Philadelphia Museum of Art, 1972. Rijksmuseum, The Age of Yoshitoshi, Japanese Prints from the Meiji and Taishō periods, Nagasaki, Yokohama, and Kamigata prints, Amsterdam, Rijksmuseum, 1990.
Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471 OCLC 5246796; Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. ISBN 9789074822657 OCLC ...
One Hundred Famous Views of Edo (in Japanese: 名所江戸百景, romanized: Meisho Edo Hyakkei) is a series of 119 ukiyo-e prints begun and largely completed by the Japanese artist Hiroshige (1797–1858). The prints were first published in serialized form in 1856–59, with Hiroshige II completing the series after Hiroshige's death. It was ...
This series of 100 prints was published in 1885–92 by Akiyama Buemon. The subjects are drawn from various sources in Japanese and Chinese history and literature, Kabuki and Noh theatre, and even contemporary Edo (modern Tokyo), linked only by the presence of the Moon in each print. The creation of mood according to the phase of the Moon was ...
The collection contains many notable Japanese artists since the Meiji period, and a few contemporary Western prints. In the early years of the 20th century, Matsukata Kojiro collected Japanese ukiyo-e woodblock prints which had been scattered throughout the world.
One Hundred Ghost Stories (Japanese: 百物語, romanized: Hyaku monogatari) is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the Thirty-six Views of Mount Fuji series.
Yakusha-e (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings of the 20th century.
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