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The following is a list of notable bands associated with riot grrrl from the early 1990s to the present, mainly in the United States and United Kingdom.. NB: some of these bands significantly pre-dated the original riot grrrl era (e.g. Frightwig, Fifth Column, Mecca Normal, Scrawl, L7), while others may be more accurately categorized as grunge – see also 'foxcore' (e.g. Lunachicks, Babes in ...
The indie band — known for their role in the "riot grrrl" movement and their punk sound — hit the stage at the Brooklyn Bowl for the first of ten shows on the tour.
Two of the young bands rocking out at Coachella this weekend have been trumpeted as the next wave of the ‘90s riot grrrl movement, but there’s just one problem: they don’t want the label.
Dream Nails was founded in London in August 2015 by Janey Starling, singer, and Anya Pearson, guitarist. The two friends met through their involvement with feminist activism [4] and brought fellow activist Emmett Roberts on board to play bass and Judith Dawson on drums. [5]
Sleater-Kinney (/ ˌ s l eɪ t ər ˈ k ɪ n iː / SLAY-tər-KIN-ee [1]) is an American rock band that formed in Olympia, Washington, in 1994. [2] The band's lineup features Corin Tucker (vocals and guitar) and Carrie Brownstein (guitar and vocals), following the departure of longtime member Janet Weiss (drums, harmonica, and vocals) in 2019. [3]
Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group originally consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances.
Burning Bush, an all-female group that hit the Phoenix punk underground in 1998 with “Tales from the Bush," have reunited for two Arizona concerts.
Since then, they have become known for bringing an updated approach to the feminist art punk ideals associated with the riot grrrl Movement of the 1990s. [4] They have been vocal about addressing the lack of female musicians that still exists in today's music industry, as well as other issues of equality under a contemporary feminist context. [5]