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Rosetta Stoned" is a song by American rock band Tool. It was released on April 28, 2006, as the eighth track off their fourth studio album, 10,000 Days . Structurally, the song contains complex fast-to-slow drum fills , performed by the band's drummer Danny Carey . [ 1 ]
She is widely known for her 1954 solo recording '"Little Things Mean a Lot", a song that stayed at the U.S. Billboard number one spot for nine consecutive weeks and took top honor as 1954's #1 song of the year, charted in the U.S. for almost seven months, hit No. 1 on the UK singles chart, and sold more than two million copies. [2]
The website has received significant coverage in mainstream news for its discussions on certain songs. In July 2005, users fiercely debated the meanings of the lyrics to Coldplay's song, "Speed of Sound". [7] The News & Observer called SongMeaning's discussions on the meaning to the lyrics of 50 Cent's "Wanksta" particularly "illuminating". [8]
Where do the "12 Days of Christmas" lyrics come from? Though some scholars believe that the song is French in origin, the first printed appearance of the song was in the English children's book ...
Al Hirt released a version of the song in 1964 on his album, Sugar Lips. The song went to #12 on the Adult Contemporary chart and #84 on the Billboard Hot 100. [9] Hirt released a live version on his 1965 album, Live at Carnegie Hall. [10] It was produced by Chet Atkins. [11] This song was also performed by Elvis Presley in the 1968 TV special ...
"Thirty Days (To Come Back Home)", also written "30 Days", is a 1955 song and chart single by Chuck Berry. [2] Berry wrote "30 Days" to pay tribute to Hank Williams ' country music. [ 3 ]
We Laughed was written by Bragg and Maxine Edgington. The song was inspired by a photograph of Maxine with her teenage daughter Jessica. [12] For the Rosetta Requiem website, Edgington described the photograph that was the inspiration of the song: "The picture is a legacy for Jess, a reminder to laugh with her children.
Cuca Roseta's first album was released in 2011 and was produced by Gustavo Santaolalla, [8] who saw her perform at the Clube de Fado. [9] After this initial encounter, in which Roseta was not aware of the Argentine producer's identity, [3] she had to wait four years to record the album due to Santaolalla's busy schedule.