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Oil on canvas: Yale University Art Gallery, Connecticut Moonrise: 1889: Oil on canvas: Santa Barbara Museum of Art, California The Iceberg: 1891: Oil on canvas: 71.63 × 99.69 cm: Carnegie Museum of Art, Pennsylvania Mount Katahdin from Millinocket Camp: 1895: Oil on canvas: 26 + 1 ⁄ 2 in × 42 + 1 ⁄ 4 in (670 mm × 1,070 mm) Portland ...
oil on canvas 46 x 38 cm Georgette at the Piano: 1923 Brachot Gallery, Brussels oil on canvas 44 x 36.5 cm Modern: 1923 oil on canvas Self-portrait: 1923 oil on canvas Night Life: 1923 oil on canvas 50.1 x 40.2 cm Three Nudes in an Interior: 1923 oil on canvas 59.5 x 55.5 cm Youth: 1924 oil on canvas 50.5 x 41 cm Advertisements for "Norine" 1925
Shostakovich is a series of thirty oil-on-canvas paintings by the Guyanese artist Aubrey Williams, created between 1969 and 1981. [1] Each painting in the series is based on a particular symphony or quartet by the Russian composer Dmitri Shostakovich, whom Williams regarded as "the greatest composer of [his] time".
oil on canvas 288 × 312 Palais des Beaux-Arts de Lille, France Christ on the Cross: 1782 oil on canvas 276 × 188 Church of St Vincent, Mâcon, France Portrait of Jacques-François Desmaisons: 1782 oil on canvas Albright–Knox Art Gallery, Buffalo Andromache Mourning Hector: 1783 oil on canvas 275 × 203 Louvre Museum, Paris The Vestal Virgin ...
The canvas print material is generally cotton or plastic based poly canvas, often used for the reproduction of photographic images. Digital printers capable of producing canvas prints range from small consumer printers owned by the artist or photographer themselves up to large format printing service printers capable of printing onto canvas ...
The painting is now in the Österreichische Galerie Belvedere museum in the Belvedere palace, Vienna, and is widely considered a masterpiece of the early modern period. It is a symbol of Vienna Jugendstil—Viennese Art Nouveau—and is considered Klimt's most popular work. [10] 19: 1907–1908 – Danaë (oil on canvas, 77 cm x 83 cm)
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Lighting of this image is very elaborate and strategized upon certain figures creating groupings of bystanders. The intensity of the light is highly varied. The lightest and brightest areas are on Jesus' body, promoting it as the focal point of the piece, and the darkest area in the unlit, nearly black, inky background.
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