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Rosetta Stoned" is a song by American rock band Tool. It was released on April 28, 2006, as the eighth track off their fourth studio album, 10,000 Days . Structurally, the song contains complex fast-to-slow drum fills , performed by the band's drummer Danny Carey . [ 1 ]
A money-back guarantee, also known as a satisfaction guarantee, is essentially a simple guarantee that, if a buyer is not satisfied with a product or service, a refund will be made. The 18th century entrepreneur Josiah Wedgwood pioneered many of the marketing strategies used today, including the satisfaction-or-money-back guarantee on the ...
"Lifetime" peaked at number one on the Billboard Mainstream Rock chart tied with Shinedown with 17 number one songs on the chart and at number 8 on the Rock Airplay chart. [6] [7] [8] The song also peaked at number 18 on the Alternative Digital Song Sales chart. [9] It entered the Canada Rock chart at number 49 and peaked at number 13. [10]
"Thirty Days (To Come Back Home)", also written "30 Days", is a 1955 song and chart single by Chuck Berry. [2] Berry wrote "30 Days" to pay tribute to Hank Williams ' country music. [ 3 ]
"Precious Memories" is a traditional gospel song credited to J. B. F. Wright in 1925. Wright was born in Tennessee on February 21, 1877. The song has been performed by a wide variety of famous recording artists, including Tammy Wynette, Bill Monroe, Rosetta Tharpe, Johnny Cash, Willie Nelson, Alan Jackson, Emmylou Harris, Daniel O'Donnell, Gerry Rafferty, the Edwin Hawkins Singers, a duet by ...
Although business headlines still tout earnings numbers, many investors have moved past net earnings as a measure of a company's economic output. That's because earnings are very often less ...
Here's the real meaning and truth about the hidden message behind the "12 Days of Christmas" song. ... 30 PM "Hearst Magazines and Yahoo may earn commission or revenue on some items through the ...
Cuca Roseta's first album was released in 2011 and was produced by Gustavo Santaolalla, [8] who saw her perform at the Clube de Fado. [9] After this initial encounter, in which Roseta was not aware of the Argentine producer's identity, [3] she had to wait four years to record the album due to Santaolalla's busy schedule.