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FLAC is specifically designed for efficient packing of audio data, unlike general-purpose lossless algorithms such as DEFLATE, which are used in ZIP and gzip. While ZIP may reduce the size of a CD-quality audio file by 10–20%, FLAC is able to reduce the size of audio data by 40–50% by taking advantage of the characteristics of audio.
An audio-only MPEG-4 file, used by Apple for unprotected music downloaded from their iTunes Music Store. Audio within the m4a file is typically encoded with AAC, although lossless ALAC may also be used. .m4b: An Audiobook / podcast extension with AAC or ALAC encoded audio in an MPEG-4 container. Both M4A and M4B formats can contain metadata ...
Microsoft compressed file in Quantum format, used prior to Windows XP. File can be decompressed using Extract.exe or Expand.exe distributed with earlier versions of Windows. After compression, the last character of the original filename extension is replaced with an underscore, e.g. ‘Setup.exe’ becomes ‘Setup.ex_’. 46 4C 49 46: FLIF: 0 flif
TTA (file format) Digital. The True Audio Lossless Codec. 2000 FLAC (file format) Digital. Free Lossless Audio Codec (open, non-proprietary, patent-and-royalty-free) Ogg Vorbis (file format) Digital. Vorbis compressed audio format (open, non-proprietary, patent-and-royalty-free) DSDIFF (file format) Digital. DSD, optional DST compression APE ...
CS – File extension for C-Sharp (C#) files; DAA – DAA: Closed-format, Windows-only compressed disk image; DEB – Debian install package; DMG – an Apple compressed/encrypted format; DDZ – a file which can only be used by the "daydreamer engine" created by "fever-dreamer", a program similar to RAGS, it's mainly used to make somewhat ...
An audio coding format [1] (or sometimes audio compression format) is a content representation format for storage or transmission of digital audio (such as in digital television, digital radio and in audio and video files). Examples of audio coding formats include MP3, AAC, Vorbis, FLAC, and Opus.
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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.