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Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE .
In the book Vietnamese Tradition on Trial, 1920-1945 written by David G. Marr, an American Professor, told the story of Trieu Thi Trinh as follow: Trieu Thi Trinh was a 9-foot-tall (2.7 m) woman who had 3-foot-long (0.91 m) breasts. She also had a voice which sounded like a temple bell, and she could eat many rice pecks and walk 500 leagues per ...
The Trưng sisters' rebellion marked a brilliant epoch for women in ancient southern China and reflected the importance of women in early Vietnamese society. [28] One reason listed by medieval Confucian scholars for the defeat is the desertion by rebels because they did not believe they could win under a woman's leadership. [47]
This is a list of women artists who were born in the Vietnam or whose artworks are closely ... Vũ Giáng Hương (1930–2011), painter, known for silk paintings; K
Traditional Vietnamese art is a part of art practiced in Vietnam or by Vietnamese artists, from ancient times (including the elaborate Đông Sơn drums) to post-Chinese domination art which was strongly influenced by Chinese Buddhist art, as well as Taoism and Confucianism. The art of Champa and France also played a smaller role later on.
Kim Hoàng painting (Vietnamese: Tranh Kim Hoàng) is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoàng painting was a popular element of the Tết holiday, together with Đông Hồ and Hàng Trống painting, but this tradition was lost in the middle of the 20th ...
The White Tiger (Bạch hổ) picture of Hang Trong painting.The author is unknown because it is a traditional painting dated back to the 17th century. Buddhist temples were key sites of print culture from the 17th–19th century, translating, printing, and disseminating key sutras to lay populations in both urban and rural villages. [1]