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"Heading Out to the Highway" is a song by English heavy metal band Judas Priest from their 1981 album Point of Entry. It was released as a single later that year, and was the band's first single to reach the US Mainstream Rock chart , peaking at No. 10.
"Our Song" was written by Yes members Jon Anderson (vocals), Trevor Rabin (guitars and keyboards), Chris Squire (bass), Alan White (drums) and Tony Kaye (keyboards). [1] The lyrics make references to the song "Rule, Britannia!" and the city of Toledo, Ohio which is mentioned prominently in the first verse as "just another good stop along the good king's highway" and "the silver city".
"The Road Goes Ever On" is a title that encompasses several walking songs that J. R. R. Tolkien wrote for his Middle-earth legendarium. Within the stories, the original song was composed by Bilbo Baggins and recorded in The Hobbit. Different versions of it also appear in The Lord of the Rings, along with some similar walking songs.
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A different walking song, "The Road Goes Ever On", appears in different versions in The Hobbit, in two places in The Fellowship of the Ring – the first two by Bilbo, the third instance spoken by Frodo, alongside "A Walking Song"; [T 3] [T 4] and again in The Return of the King, where again it is voiced by Bilbo. [T 5]
"Highway to Hell" was produced by Mutt Lange as part of the album by the same name, and his work is regarded as a significant factor in delivering one of the classic AC/DC albums, the emergence of the double-guitar sound, which was later perfected on Back in Black, and improved backing vocals with Malcolm Young, joined by Cliff Williams for the first time.
The mastermind behind the decade-long bribery scheme and one of the largest corruption scandals in US military history that brought down dozens of Navy officials has been sentenced to 15 years in ...
The song's lyrics takes advantage of homonymy: the first verse contains the lines "I got us on a highway, I got us in a car..." This changes to "She's a goddess on a highway, a goddess in a car..." In October 2011, NME placed it at number 122 on its list "150 Best Tracks of the Past 15 Years". [1]