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For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth.It commonly refers to 96 or 192 kHz sample rates.
mp3HD was released in March 2009 as a lossless competitor to the already popular FLAC, Apple Lossless, and WavPack.In theory, the format provided a convenient container in the form of a single file, which included the standard lossy stream playable on any mp3-capable device and the lossless data which was stored in the ID3v2 tag.
A notable exception is MP3 files, which are raw audio coding without a container format. De facto standards for adding metadata tags such as title and artist to MP3s, such as ID3 , are hacks which work by appending the tags to the MP3, and then relying on the MP3 player to recognize the chunk as malformed audio coding and therefore skip it.
An MP3 coded with MPEG-2 results in half of the bandwidth reproduction of MPEG-1 appropriate for piano and singing. A third generation of "MP3" style data streams (files) extended the MPEG-2 ideas and implementation but was named MPEG-2.5 audio since MPEG-3 already had a different meaning. This extension was developed at Fraunhofer IIS, the ...
mp3PRO is an unmaintained proprietary audio compression codec that combines the MP3 audio format with the spectral band replication (SBR) compression method. At the time it was developed it could reduce the size of a stereo MP3 by as much as 50% while maintaining the same relative quality. [1]
In May 2004, a series of double-blind listening tests [5] (as reported on Slashdot [6]) suggested that Musepack and Ogg Vorbis (which was the 1.1 "aoTuV" fork at the time) were the two best available codecs for high-quality audio compression at bitrates around 128 kbit/s, beating MP3, AAC, WMA, and ATRAC. Listening tests of MPC:
MP3 WMA Vorbis DRM Preview (seconds) Stream purchases 7digital: 81 [2] Yes [3] Web, Android 24-bit No No No 320 kbps 320 kbps No No No 30 Yes Amazon Music: 90 [4] Yes Web, Android [5] No No No No No 256 kbps No No No 30: Yes Bandcamp: 18.1: No Web 24-bit 24-bit 24-bit 24-bit Yes Yes No Yes No Full Yes Beatport: 9 [6] Yes [7] Web No No 16-bit 16 ...