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Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940.
"Love Theme from Romeo and Juliet", also known as "A Time for Us", is an instrumental arranged by Henry Mancini (from Nino Rota's music written for Franco Zeffirelli's film of Romeo and Juliet, starring Leonard Whiting and Olivia Hussey). [3]
Sergei Prokofiev's Piano Sonata No. 5 in C major, Op. 38, was written at Ettal near Oberammergau in the Bavarian Alps during the composer's stay there in 1923. He would revise it thirty years later, at the end of his life, but not drastically, as his Opus 135 , and it is this version that is usually played.
Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. These, along with two of his four concertos, three of his symphonies and two of his ten operas, are among his most familiar works.
Rachmaninoff: Piano Concerto No. 3; with ad hoc-orchestra consisting of members of the Moscow Philharmonic Orchestra and the USSR State Symphony Orchestra conducted by Alexander Lazarev; 1977. Prokofiev: Piano Concerto No. 1; 2 Pieces from Romeo and Juliet. Ravel: Piano Concerto for the Left Hand; Pavane pour une infante défunte.
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
Romeo & Juliet (Original Motion Picture Soundtrack) is the score soundtrack to the 2013 film Romeo & Juliet, directed by Carlo Carlei; an adaptation of William Shakespeare's romantic tragedy and stars Douglas Booth and Hailee Steinfeld, as the eponymous principal characters.
The sonata is the shortest of his piano sonatas, being in a single movement in sonata form and lasting approximately 7–8 minutes, but it is one of the most technically demanding pieces Prokofiev has ever written for the piano. The piece opens with a blasting E major chord for the entire first and second bars and then goes into a toccata-like ...
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