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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. [b] Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it ...
The sonatas differ in structure in the third movement and only the first sonata has a fourth movement. In the first sonata, thematic material is referenced from one movement to the other which is also uncommon in a typical sonata of the time but more like the fantasia style. They were written in 1801. For the individual sonatas see: Piano ...
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier. The movement opens with the main theme in the tonic key, beginning with a double-thirds trill-like pattern.
Two measures after the melody sets in, an abrupt run features the same notes, only one octave higher, like the cadenza in the sonata's third movement (Presto agitato). The climax on a 6 4 chord is similar in both pieces. [2] Additionally, the Fantaisie-Impromptu ' s middle part and the second movement of the Moonlight Sonata are in D â™ major.
Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they were written at such an early age (and Beethoven himself did not assign them opus numbers), the works have historically been omitted from the canon of Beethoven's piano sonatas.
The Sonata in the Classic Era, third edition. A History of the Sonata Idea 2. New York: W. W. Norton. ISBN 0-393-95286-X. Newman, William S. 1983c. The Sonata since Beethoven, third edition. A History of the Sonata Idea 3. New York: W. W. Norton. ISBN 0-393-95290-8. Newman, William S. 1988. Beethoven on Beethoven: Playing His Piano Music His ...
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