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Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
If people listen to a certain type of music and add emotional experience to songs or a genre in general, this increases the likelihood of enjoying the music and being emotionally affected by it. [21] This helps explain why many people might have strong reactions to music their parents listened to frequently when they were children.
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. [3] This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics ...
The theory of musical equilibration (in German: die strebetendenz-theorie or, literally, the tendency to strive theory) is a psychological theory that argues that music does not elicit emotion directly and that, instead, the listener "identifies with musically-encoded processes of will" and interprets them to produce an emotional effect. [1]
Klaus Rainer Scherer (born 1943) is professor emeritus of psychology and director of the Swiss Center for Affective Sciences in Geneva.He is a specialist in the psychology of emotion. [1]
Research on emotions reveals the strong presence of cross-cultural differences in emotional reactions and that emotional reactions are likely to be culture-specific. [138] In strategic settings, cross-cultural research on emotions is required for understanding the psychological situation of a given population or specific actors. This implies ...
Dolf Zillmann began developing excitation-transfer theory in the late 1960s through the early 1970s and continued to refine it into the 21st century. [1] The theory itself is based largely on Clark Hull's notion of residual excitation (i.e., drive theory), Stanley Schachter's two factor theory of emotion, and the application of the three-factor theory of emotions.
Piloerection (goose bumps), the physical part of frisson. Frisson (UK: / ˈ f r iː s ɒ n / FREE-son, US: / f r iː ˈ s oʊ n / free-SOHN [1] [2] French:; French for "shiver"), also known as aesthetic chills or psychogenic shivers, is a psychophysiological response to rewarding stimuli (including music, films, stories, people, photos, and rituals [3]) that often induces a pleasurable or ...