Search results
Results from the WOW.Com Content Network
"Enemy" is a song by American pop rock band Imagine Dragons and American rapper JID. It was released through Interscope Records and Kidinakorner on October 28, 2021, as the lead single of the soundtrack to the Netflix animated series Arcane , to which it also serves as the opening theme.
"The Chaser" (Korean: 추격자; RR: Chugyeogja) is a song recorded by South Korean boy group Infinite. It was released as the second single from the group's third extended play Infinitize , which was released through Woollim Entertainment on May 15, 2012.
The song appears in the 1999 video game Thrasher: Skate and Destroy.The song also is featured in the 2004 video game Grand Theft Auto: San Andreas on the classic hip-hop station, Playback FM (for which Public Enemy's frontman Chuck D voiced the station's DJ "Forth Right MC"), as is "The Grunt" on Master Sounds 98.3.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Gyakuten Saiban Yomigaeru Gyakuten Original Soundtrack (逆転裁判 蘇る逆転 オリジナル・サウンドトラック, lit."Turnabout Trial: Revived Turnabout original soundtrack") is a soundtrack album featuring background music from the Nintendo DS version of the adventure video game Gyakuten Saiban (known internationally as Phoenix Wright: Ace Attorney), composed by Masakazu Sugimori ...
The Devil May Cry series has seen the release of seven separate soundtracks. Initially, Capcom was very reluctant to release an officially sanctioned soundtrack for the Devil May Cry series, due to worries that the products would sell poorly.
He Got Game is a soundtrack and sixth studio album by American hip hop group Public Enemy, released on April 28, 1998, under Def Jam Recordings. [2] It was released as the soundtrack to Spike Lee's 1998 film of the same name and was the group's last album for Def Jam until 2020's What You Gonna Do When the Grid Goes Down.
Ethnomathematics author Ron Eglash interpreted the album's style and production to be "massively interconnected political and sonic content", writing that "[the Bomb Squad] navigated the ambiguity between the philosophies of sound and voice. Public Enemy's sound demonstrated an integration of lyrical content, vocal tone, sample density and ...