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Environments 1 (1969). Environments (stylized in all lowercase) is a series of LPs, cassettes, 8-track cartridges and CDs created by producer and sound recordist Irv Teibel (1938–2010 [1]) for Syntonic Research Inc. between 1969 and 1979.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
This is a list of ambient music artists. This includes artists who have either been very important to the genre or have had a considerable amount of exposure (such as those who have been on a major label).
He is considered a pioneer of ambient music in Japan. [2] [3] His music lies mostly in the minimalist genre of kankyō ongaku, or environment music—soft electronic melodies infused with the sounds of nature: babbling brooks, steady rain, and morning birds. [4] However, not all Yoshimura's work included nature sounds.
Some forms of music use recorded sounds of nature as part of the music, for example new-age music uses the nature sounds as backgrounds for various musical soundscapes, and ambient music sometimes uses nature sounds modified with reverbs and delay units to make spacey versions of the nature sounds as part of the ambience.
New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism.It is used by listeners for yoga, massage, meditation, [1] and reading as a method of stress management [2] to bring about a state of ecstasy rather than trance, [3] [4] or to create a peaceful atmosphere in homes or other environments.
Continuing from the first album in the series, part II is equally ambient (as opposed to the more breakbeat led material of their albums and archive series), but features strings, choir sounds and synthesizers, in contrast to the more abstract, sample-based nature of the first album.
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
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