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Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some ...
The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī [7]). [8] The long lute had an attached neck, and included the sitar, tanbur and tar: the dutār had two strings, setār three strings, čārtār four strings, pančtār five strings. [5] [6]
The vihuela (Spanish pronunciation:) is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The cittern or cithren (Fr. cistre, It. cetra, Ger. Cister, Sp. cistro, cedra, cítola) [1] is a stringed instrument dating from the Renaissance.Modern scholars debate its exact history, but it is generally accepted that it is descended from the medieval citole (or cytole).
The word luthier is originally French and comes from luth, the French word for "lute".The term was originally used for makers of lutes, but it came to be used in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars.
The archlute (Spanish: archilaúd, Italian: arciliuto, German: Erzlaute) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, [1] the size and re-entrant tuning of which made for difficulties in the performance of solo music, [2] and the Renaissance tenor lute, which lacked the bass range of the theorbo.