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During Shams’ initial separation from Rumi, Rumi wrote poetic letters to Shams pleading for his return. [20] Following Shams’ second disappearance, Rumi returned to writing poetry lauding Shams and lamenting his disappearance. [4] These poems would be collected after Rumi’s death by his students as the Divan-i Shams-i Tabrizi. [21]
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
The book presents Shams's Forty Love Rules at different intervals. [ 12 ] [ 13 ] Sweet Blasphemy was structured in a way to focus on the five elements of nature: Water, Air, Earth, Fire and Void. The chapters in each section revealed a story in line with the nature of each element. [ 14 ]
Rumi: The Musical is a musical with music and lyrics by Dana Al Fardan and Nadim Naaman and a book by Naaman. [1] The show is based on a story by Evren Sharma and follows the relationship 13th century poet Rumi and his mentor Shams Tabrizi .
It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship. [ 55 ] Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, Divan-e Shams-e Tabrizi .
A more recent translation into English, with commentary for each of the discourses, by Doug Marman (with the assistance of Jamileh Marefat, a direct descendant of Rumi) was published in 2010 under the title It Is What It Is, The Personal Discourses of Rumi (Spiritual Dialogues Project, Ridgefield, Washington), ISBN 978-0-9793260-5-9. Another ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
Rumi is a Persian-language opera by Iranian composer Behzad Abdi to a libretto by puppet theatre director Behrouz Gharibpour. The opera combines Persian traditional dastgāh modal system and sama dance with Western music. The libretto is based on the story of Shams and Rumi. [1] [2]