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Compiled by techno producer Derrick May and Kool Kat Records boss Neil Rushton (at the time an A&R scout for Virgin's "10 Records" UK imprint), the album was an important milestone and marked, in the UK, the introduction of the word techno in reference to a specific genre of music.
Psychedelic trance has a distinctive, energetic sound that tends to be faster than other forms of trance or techno music with tempos generally ranging from 125 to 150 BPM. It uses a very distinctive bass beat that pounds constantly throughout the song and overlays the bass with varying rhythms drawn from funk , techno , dance , acid house ...
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. [1] It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere.
[4] [5] Although the compilation put techno into the lexicon of music journalism in the UK, the music was initially viewed as Detroit's interpretation of Chicago house rather than as a separate genre. [5] [66] The compilation's working title had been The House Sound of Detroit until the addition of Atkins' song "Techno Music" prompted ...
Minimal techno is a subgenre of techno music. [1] It is characterized by a stripped-down [ 2 ] aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit -based producers Robert Hood and Daniel Bell .
In 1991, Sean's interest in electronic music began in Massapequa Park when he heard a tape containing various electronic interpretations of "O'Fortuna." [6] From then on, he began listening to techno music. He took his first steps into music production in 2000/2001, using a software called Impulse Tracker on the Microsoft DOS operating system. [7]
In 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). [10]
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats", with the harmonies and grooves of progressive house.