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The Canon EF-S 10–22mm f / 3.5–4.5 USM lens is a wide to ultra-wide angle zoom lens for Canon digital single-lens reflex cameras with a Canon EF-S lens mount. [1] The field of view has a 35 mm equivalent focal length of 16–35mm, which is analogous to the EF 16–35mm f / 2.8L on a full-frame camera.
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas ...
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
For example, a 28 mm lens on the DSLR (given a crop factor of 1.5) would produce the angle of view of a 42 mm lens on a full-frame camera. So, to determine the focal length of a lens for a digital camera that will give the equivalent angle of view as one on a full-frame camera, the full-frame lens focal length must be divided by the crop factor.
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view. Even some new fixed-lens cameras like the Sony ZV-1 II are switching from a standard zoom lens to a wider zoom lens that covers ...
For example, a 50mm f/2 lens on a 2× crop factor Micro Four Thirds camera would be equivalent to a 100 mm (= 2×50 mm) f/4 (= f/(2×2)) lens on a full-frame digital SLR in terms of field of view, depth of field, total light gathered, [4] and diffraction effects. However for the purposes of exposure calculations the aperture does not change for ...
A lens with a focal length about equal to the diagonal size of the film or sensor format is known as a normal lens; its angle of view is similar to the angle subtended by a large-enough print viewed at a typical viewing distance of the print diagonal, which therefore yields a normal perspective when viewing the print; [9] this angle of view is ...
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