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In photography, the term is used to describe the apparent leaning of buildings towards the vertical centerline of the photo when shooting upwards, a common effect in architectural photography. Likewise, when taking photos looking down, e.g., from a skyscraper, buildings appear to get broader towards the top.
Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format , 35 mm film SLR , and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of ...
Architectural photography is the subgenre of the photography discipline where the primary emphasis is made to capturing photographs of buildings and similar architectural structures that are both aesthetically pleasing and accurate in terms of representations of their subjects.
Motion pictures make limited use of aperture control; to produce a consistent image quality from shot to shot, cinematographers usually choose a single aperture setting for interiors (e.g., scenes inside a building) and another for exteriors (e.g., scenes in an area outside a building), and adjust exposure through the use of camera filters or ...
One then reframes the scene and fully depresses the shutter to take the photo. Unlike other modes, this also sets focus and requires two separate metering/focus stages. A-DEP: [3] Canon also offers A-DEP (Automatic DEPth of field) mode on some cameras, which sets the depth of field and focus in a single shot. However, this requires lining up ...
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras. Sometimes the term is used when a shallow depth of field is simulated with digital post-processing; the name may derive from a perspective control lens (or tilt–shift lens) normally ...
Technology for holding an exposure setting from one scene to another. [4] AF: Autofocus. The lens is focused automatically by means of the camera's hardware and firmware, to obtain optimum sharpness of an image. [4] AF-L or AFL: Autofocus lock. Locks a particular focus setting, preventing refocusing if the scene changes. [4] AoV: Angle of view ...
Sunlit subject shot on a digital camera set to ISO 100, exposed at f/8 at 1/400 second which is the same exposure value as f/16 for 1/100 second, the recommended "sunny 16" exposure. In photography, the sunny 16 rule (also known as the sunny f /16 rule) is a method of estimating correct daylight exposures without a light meter. Apart from the ...