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In 1994, Doug Supernaw recorded a new version of the song on his second studio album, Deep Thoughts from a Shallow Mind. [5] Supernaw's rendition features a guest vocal from Coe himself, as well as guest appearances by Waylon Jennings, Merle Haggard and Charley Pride, [5] all of whom are mentioned in the original song's second verse.
The Certificate of Entitlement (COE) are classes of categories as part of a quota license for owning a vehicle in Singapore. [1] The licence is obtained from a successful winning bid in an open bid uniform price auction which grants the legal right of the holder to register, own and use a vehicle in Singapore for an initial period of 10 years.
"Mona Lisa Lost Her Smile" is a song written by Johnny Cunningham and recorded by David Allan Coe. It was the first single from Coe's 1984 album Just Divorced, and was released to radio in early 1984. The song is Coe's highest-charting single, with a peak of number two on the U.S. country music charts.
The lyrics of Penitentiary Blues are often dark and foreshadow the content of Coe's later country albums, discussing themes such as working for the first time, blood tests from veins used to inject heroin, prison time, hoodoo imagery and death. [1]
The song was first recorded by Keith Whitley in 1984, but went unreleased until five years after his death in 1994 on the Keith Whitley: A Tribute Album. The first release of the song was by The Bellamy Brothers on their 1985 album Howard & David , and then shortly thereafter by David Allan Coe on his 1985 album Unchained .
Since the decade began, Coe and producer Billy Sherrill did their best to widen Coe’s audience and appeal to country mainstream country radio in a number of ways, such as using outside writers and inviting guests to record duets, but success remained elusive. Coe’s highest charting single during this period was "Get a Little Dirt on Your ...
The Mysterious Rhinestone Cowboy sets the template for many of Coe's albums throughout the seventies: an eclectic mix of original compositions and occasional cover songs steeped in Coe's self-aggrandizing personae with lyrics that ranged from braggadocios to deeply sensitive. Typical of latter is the sentimental “River,” the story of a ...
Coe’s version appeared as the b-side of “You Never Even Called Me by My Name,” and it would also be recorded as a duet by Waylon Jennings and Willie Nelson in 1983 and by Johnny Cash on his album American Recordings: Solitary Man. The song, which contains poetic lyrics questioning the devotion of a prospective lover, was surprising to ...