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Wardman was the first to publish the term but there is evidence that expressions such as "yellow journalism" and "school of yellow kid journalism" were already used by newsmen of that time. Wardman never defined the term exactly. Possibly it was a mutation from earlier slander where Wardman twisted "new journalism" into "nude journalism".
Moreover, journalism historians have noted that yellow journalism was largely confined to New York City, and that newspapers in the rest of the country did not follow their lead. The Journal and the World were not among the top ten sources of news in regional papers, and the stories simply did not make a splash outside Gotham. War came because ...
Joseph Pulitzer and William Randolph Hearst, full-length, dressed as the Yellow Kid, a satire of their role in drumming up USA public opinion to go to war with Spain. The two newspaper owners credited with developing the journalistic style of yellow journalism were William Randolph Hearst and Joseph Pulitzer. These two were fighting a ...
No one at the 1947 dedication had more to do with the creation of the national park than the Miami Herald’s editor, John Pennekamp, Robert Sanchez says.
Hearst's use of yellow journalism techniques in his New York Journal to whip up popular support for U.S. military adventurism in Cuba, Puerto Rico and the Philippines in 1898 was also criticized in Upton Sinclair's 1919 book, The Brass Check: A Study of American Journalism. According to Sinclair, Hearst's newspapers distorted world events and ...
Starting in the 1890s, a few very high-profile metropolitan newspapers engaged in yellow journalism to increase sales. They emphasized sports, sex, scandal, and sensationalism. The leaders of this style of journalism in New York City were William Randolph Hearst and Joseph Pulitzer. [16]
"The yellow [or gold] refers back to the Ethiopian flag, which is meaningful to people of color because Ethiopia is virtually the only country in Africa that did not experience colonialism. Thus ...
So she took the yellow idea and applied it to a drape cut. Like many of the pieces in the film, Durran made the dress. “We wanted a soft yellow and wanted it to have less pop.