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Royale (also known as Energy Blue and Media Center style) was a visual style designed for Windows XP Media Center Edition 2005 and later ported over to Windows XP Tablet PC Edition 2005. [14] It is accompanied by a new wallpaper (inspired by Windows XP's iconic Bliss wallpaper ).
Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
Dark academia is a literary aesthetic [1] [2] and subculture [3] concerned with higher education, the arts, and literature, or an idealised version thereof. The aesthetic centres on traditional educational clothing, interior design, activities such as writing and poetry , ancient art , and classic literature , as well as classical Greek and ...
Frutiger Aero visuals in user interface design (KDE Plasma 4 from 2011)Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces, product design, and Internet aesthetics from the mid-2000s to the early 2010s. [2]
In this mode, the video picture is stored as a simple bitmap, with one bit per pixel setting the color to "foreground" or "background". By default the colors are black and bright white, but the foreground color can be changed to any entry in the 16-color CGA palette. The background color cannot be changed from black on an original IBM CGA card.
Apple's iMac G3, an example of the blobject-style design common in Y2K aesthetics. [1] Y2K is an Internet aesthetic based around products, styles, and fashion of the late 1990s and early 2000s. The name Y2K is derived from an abbreviation coined by programmer David Eddy for the year 2000 and its potential computer errors.
Wallpaper enjoyed a huge boom in popularity in the nineteenth century, seen as a cheap and very effective way of brightening up cramped and dark rooms in working-class areas. It became almost the norm in most areas of middle-class homes, but remained relatively little used in public buildings and offices, with patterns generally being avoided ...
Piet Mondrian was evolving his abstract language, of horizontal and vertical lines with rectangles of color, between 1915 and 1919, Neo-Plasticism was the aesthetic which Mondrian, Theo van Doesburg and other in the group De Stijl intended to reshape the environment of the future.